This Theatre is one the most famous lyric houses in the world. Inaugurated in 1908 with "Aida" lyric from Giuseppe Verdi, the theatre has hosted the most important artists of the century. It is provided with a stable company, a ballet, orchestras, workshops, a library and a museum. It is endowed with finest acoustics in opera and a capacity for 3,542 spectators (sitting) and 700 (standing).
The premises cover 8,202 square meters. The building combines Italian, Attic-Greek, German and French Renaissance designs that give this theatre the eclectic style of the XIX century. The main room presents seven levels, horseshoe shaped, 3 boxes, galleries, upper galleries and a top gallery. The construction of the Theatre has taken 20 years and the work was directed by the architects Francesco Tamburini, Vittorio Meano and Jules Dormal.
Libertad 621 (San Nicolás neighborhood).
TE: 4378-7132/33.
Bus Lines: 7,24, 26, 28, 29, 38, 45, 56, 59, 64, 67, 105, 132.
Avenida de Mayo 825
This is the oldest coffee-shop in Buenos Aires and its original style has been kept. Today's location was priorly the seat of Scottish Temple of Buenos Aires (till end of the century). The Tortoni (baptized this way after its Parisian homonymous) used to run some few meters away, in the corner. In 1880 its transfer began to its current property, but the entrance was down Rivadavia street, parallel towards northern Avenida de Mayo. Finally, in 1898, the magnificent door opened up onto Avenida de Mayo. The facade was developed by architect Christophersen. Two decades later, the Tortoni was already become the center of meetings for Buenos Aires' intellectuals and hosted many of the illustrious characters who visited Buenos Aires. Inside the cafe, habitually full of residents and foreigners, pictures, poems and busts tell steps of this story. Its basements are today havens for jazz and tango fans, and the wine cellar is the place where presentations of books and poetry encounters are carried out. Towards its Return side, there are rooms for dominoes, dice and billiards. The Tortoni still offers its customers some endangered drinks like leche merengada (whipped milk), chufas de horchatas (a beverage made from almonds, barely, etc.) and guindado (a sour cherry drink).
Balcarce 50
The headquarters of the Executive Power, located in the place where Garay constructed the Fort of Buenos Aires. Through history, it has been frequently remodelled. The current Pink House consists of two buildings, separated by a narrow alley: one was the government's headquarters and the other one, the Palacio de Correos. Both were similar, but not identical. In 1884, Italian architect Tamburini was requested to unite both buildings. The challenge was solved by a central arch which served as a nexus and it became the main access to Plaza de Mayo. Reformations continued for several years, always following blueprints. The facade was built on Avenida Rivadavia altogether with the esplanade (today ceremonial access), the other facade on Paseo Colon and the interiors: the Hall of Honor, the Salon Blanco (currently holding a magnificent glass chandelier from Azzaretto's in Milan), the big perrons of Carrara marble (one is denominated Italia) and the Patio de las Palmeras, following the style of Renaiscense Italian Palaces. The group is eclectic and rather inharmonic because of the lack of symmetry presented on Balcarce Street, while the north wing stresses the celebrated balcony, a" loggia" of Florentine reminiscences. President Domingo Sarmiento was responsible for the pink painting. He wanted to symbolize the union of the political sectors (the red one, distinctive color for federal party, and the white one for unitary party).
The building, in its current location, has always been the national government's headquarters, from the Primera Junta
of 1810. The balcony of the north wing witnessed countless political, social, sport and film events.
This building also holds the Museum of the Government's House. If you step on the park, you can observe the rear facade of the Pink House, work greatly supported by Italian Francesco Tamburini. Between this façade and the park, you will be able to see the archaeological remains of the Aduana Taylor built in 1854. Towards the right, Rivadavia street. On your left, you will be able to watch the access esplanade the president takes to enter the House. Balcarce façade shows the main frontispiece and if you continue walking, you will turn on Yrigoyen street to access the Museum of the Pink House.
Rivadavia and San Martin streets
The Metropolitan Cathedral appears magnificent facing Plaza de Mayo, on a lot already allotted by Juan de Garay in 1580. In 1692, construction of three isles and lateral chapels started. In 1727, architect Jesuit Blanqui was commanded the projection of a new facade with two towers, but the interior collapsed in 1752. In 1770, almost concluded, cracks were observed in the dome. Its redoing was decided, under direction of Manuel Alvarez de Rocha.
In 1791, worship started and just in 1822 French architects Prosperous Catelin and Pierre Benoît carried out the current neoclassical piazza, inspired by the Palais Bourbon of Paris. J. Dubourdieu took charge of the ornamentation of the frontispiece between 1860 and 1863. It presents twelve Corinthian columns symbolizing the twelve apostles. In the frontispiece a bas-relief represents Jacob's encounter with its son José in Egypt. The interior of the Cathedral holds five aisles. The main one with a seamless vault and a transept covered by a dome which, on a circular drum, reaches 41 meters high. As from the right lateral aisle, you may access the mausoleum where General San Martin ashes are. It has been designed by the French sculptor Carrier Belleuse.
The interior decoration shows Italian improntas: Francesco Paolo Parisi is the author of the Renaissance frescos.
He decorated the dome, the presbytery, the arms of the transept and the central aisle; these paintings were lost because of the humidity. The sculptor Victor de Pol made the monument to archbishop León Federico Aneiros, in San Martin de Tours chapel, left wing. It is a Carrara marble and stone mausoleum where the prelate's image while kneeling is centered. Francesco Domenighini was the painter to the fourteen master pieces of the Via Crucis - originally they were at Pilar church -, and Carlo Morra designed the floor in 1907, which was manufactured in England in Venetian mosaic. In the interior you can see the Mausoleum where General José of San Martin's ashes are.
Bolívar 65
During colony time, the Cabildo was the institution which represented the local interests. There, the English officials signed the rendition after the invasion of 1806. In 1810, the Building held the events which would give rise to the Primera Junta de Gobierno and later to the declaration of independence.
The first building was built in 1609, same place, on a lot assigned by Garay when founding the city. The construction of the current building began in 1725 under the direction of Giovanni Andrea Bianchi. The work ended in 1751. The clock was placed in the tower by Genoese watchmaker Andrea Baccigalupo. The building shows two plants, eleven arcades in each level and a central tower. Along the years, the Cabildo suffered successive architectural modifications: in 1879 Pedro Benoît gave an Italian touch to the facade when adding a third body to the tower (afterwards demolished); in 1889, when Avenida de Mayo was to be opened, three arches of the north sector were demolished. In 1931, the design of Diagonal Sur eliminated three arches of the opposite sector.
In 1940, architect Mario Buschiazzo (Jr) minutely restored it, trying to respect original figure. In 1960, architect Alejandro Bustillo enlarged it, giving place to the current patio, with access from Avenida de Mayo and also from Hipólito Yrigoyen.
This building is currently a Museum of the Cabildo and of the Revoluciòn de Mayo, where guided are offered.
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Information source: Gobierno de la Ciudad de Buenos Aires www.bue.gov.ar
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